September 19, 2016 § Leave a comment
Below the Orkus clipping is a radio interview now from “the vault”, discussing various things that were happening right around, and shortly thereafter the release of A Priori Memoriae…
July 30, 2016 § Leave a comment
The longest Echo Us hiatus has now ended. A new studio site for 2016 and beyond, new music, and for the fall and winter, some ‘moving’ images to bathe in…
…in 2017 Echo Us will release it’s 5th full length album. From early 2015-2016 I spent much of my time blending into rafters. The cubbie holes in various coffee shops and cafes.
Something different yet again strikes, the noise dissipating just a bit…everything is quiet here comparatively so…
My mind is blank, a clean slate. The 5th came from remnants of the others. The Echo Us epi-logue. When it’s time for winter, the inland empire is where we enter…
November 11, 2014 § Leave a comment
Tons of town painting the past two weekends, and getting close to time to get back to work! There are now A Priori digipaks available through echous.net-
…available signed if you’d like! (write us a note to infoATechousDOTnet)
…again- a blog post and pictures from last weekend’s show- https://awordfromwithin.wordpress.com/2014/11/06/echo-us-show-recap-photos-and-more/
November 6, 2014 § 1 Comment
As already shared out on the Echo Us newspage, here are some highlights from the Portland show at Hawthorne Theater Lounge- Sat. Nov. 1st. 2014.
The album has continued to receive amazing reviews around the world- this time in English, and pointing to the fact that there is room for music like Echo Us within academia-
“Echo Us is the brainchild of Ethan Matthews, America’s version of Steven Wilson” “…this album should be required listening for every student entering a music program at college. A Priori Memoriae is worthy of a thesis on several levels: Musical Influences, References, Style, Transitions, Progressions, Time Signatures, Storytelling, Musicianship, Vision, Production, Arrangement, Engineering, Mastering. I could spend an entire semester lecturing on this one album.”
October 19, 2014 § Leave a comment
Upon finishing school in December 2002, I remained in Boston and was still having difficulty coping with everyday existence. I lived with 4 or 5 other Berklee students and grads, and it snowed…and snowed…and snowed. I didn’t have a proper studio set up once moved into this new house, and had limited funds to fix my studio situation or even live on.
I received a call from Brian, Greyhaven’s vocalist in late February, and received an offer to essentially move to Portland, Oregon. It was one of the biggest relief’s of my live, but also very heart-wrenching at the same time. Boston had gone from being a godsend for me in 1998 upon starting school, to being a living hell, frozen over. Very few friends left in the city, and it was time to get out, finally take the time to truly ‘cure’ my problems in a new city, with a new lease on life. I went into it with no reservations. Musically, I hadn’t had a proper album out in some time, and no one was expecting anything from me. Thus, I got to experience life from a totally different perspective for awhile. This also meant no new releases still until early 2005, but that was okay with me. I had a lot of things to do, new things to learn and lots of musical material to play around with.
Echo Us’ debut CD in 2005 came out of a whole lot of pain, and it’s evident all over the album. Many people commented on this as I remember, even though the album sold very poorly. It was also my vocal debut, and after having such a solid release as Greyhaven out there, no matter what the style of the new album, I was on a huge learning curve. I couldn’t afford a vocal coach, so I slogged through it the best I could. What I came out with is still the most twisted and creative album to my ears. Now a days when people mention things sound like this or that, I tell them to listen to that album, because it is so very different.
I hired a photographer for the album’s promo shots, but no one else, and since I was now officially solo I took it upon myself to do everything- for some reason, and not just for control reasons, I had to do everything. I think it was because I had to learn a variety of disciplines, and I always wanted to know how everything worked. The only other musician on the album was Kai Kurasawa- on one track, Who Loves You, which was penned in response to a cover song that I accompanied a girlfriend on some time ago. Some out there might be able to guess it!
Once actually settled in Portland in late July 2003 the creativity started really burgling for me. I quickly finished the debut, warts and all and let it be, planning for it’s later release. Shortly after, in September I received a ‘wave’ of energy, many dreams, and something I never thought would happen- a completely new direction that would start with the composition of The Tide Decides. I received much of the ‘information’ about the album in a very ‘clairvoyant’ fashion- the lyrics for From Snow To Sea came out of nowhere, and the night that happened I knew I’d hit something major. For me, it was almost a new style of music, but it had enough familiarity to it because of it melodies and atmospheres, which were not far removed from what I was doing with Greyhaven before. In fact, this album was first where I believe I topped my former band’s work, or at least equaled it, on my own terms. The mixing was still not perfect, but compositionally I was very much reaching for things that I’d always known existed, but I couldn’t quite put my finger or mind too before. The album has the sound of ‘consonance’ rather than dissonance to it. It’s very open sounding.
I also got to start collaborating with some new Portland-area friends. Much of the album was done simply because I met the right people at the right time that were able and wanting to help. In odd fashion, the drums were recorded last! The album has about 50 percent real drums and 50 percent electronic-based, and oftentimes they are mixed together which was extremely time-consuming to balance and edit correctly. In fact, The Tide Decides was so time consuming as time wore on that I’d never want to make anything like it again- 70 minute albums are very hard to make when you’re dealing with thousands of sounds!
2004 was mostly spent developing the new ideas around that initial wave of energy. I was also still in a new city, slowly meeting new people and reconnecting with people from the distant past as well. This time period I was at an age where I felt I could stretch out, take my time artistically as well as within my personal life. It was a much quieter time, a time of healing.